ROVIN' AND RAVIN' WITH MIKE

 

A.I. Artificial Intelligence

 

 

Copyright © 2001 by Michael Segers, All rights Reserved

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       Let’s try this: Close Encounters with a Clockwork Orange or ET: A Space Odyssey?  Mixing up the sensibilities of Stanley Kubrick and Steven Spielberg leads to a film that might carry the title of another of this summer’s offerings, Crazy/Beautiful.  This is not the film that Kubrick wanted to make for a score of years, and it isn’t the film Spielberg would have made if Kubrick hadn’t been involved in the project.  To return to what has been an ongoing theme of this summer’s raves: this is not a movie for kids.  It is too long (even for some adults), too slow, too heavy, too, too artificial, too much intelligence, not enough passion.

     And yet, ironically, passion is what the film is about—about on an intellectual level—although we are supposed to be engrossed in a story about a robot (Haley Joel Osment, in another of his better-than-a-kid-ought-to-be performances) who wants to be loved.  Think of Pinocchio with a neon nose.

     The film seems to fall into three acts, the first of which is a dry, sad tale about a rejected adoptee.  In a twist on a fairy tale (I prefer Shrek), David, the robot boy, is taken to the woods to save his life (not the only suggestion of Oedipus in this film).

     The second act is dominated by the weird characterization of Gigolo Joe (played with smarmy perfection by Jude Law) as the ultimate sex toy, who (which?) befriends David and together, they end up at the Flesh Fair, where “mechas” (robots) are destroyed by “orgas” (humans), who come across as racists, perhaps species-ists, of a sort, arguing that the robots are offenses to God.  I kept thinking of last year’s human/mutant conflict in X Men.

     By the time Robin Williams shows up for the third act—well, he doesn’t show up, we just hear him—in a weird throwback to his Bicentennial Man role, we’re watching a film no better than that mess.

      If  Kubrick had lived and made this film, it might have been crazier, but I suspect it might have in some ways been more beautiful.  At least, he would have had the good sense to end the film at its ending.  Spielberg drags things out about a half hour more than they need.  

POPCORN

 

 

     A.I., of course, is about a distant time and a distant technology.  It wasn’t too many years ago that the idea of the Internet would have seemed almost as far-fetched.  Now, of course, you can get your own free web pages, and although you cannot create a humanoid on them, you can do a lot of amazing things.  There are any number of sites on the Internet where you can find lots of good freebies to add to your pages.  For starters, get some great clip art (like the stop sign, above) at  321Clipart and for some bells, whistles, clocks (like the one, above), and calendars, you need some good Javascripts.  Keep your feet dry, your heart full of noble thoughts, and when (or if) you wish upon a star, be sure that you are ready to get your wishes granted.  If it is your wish to see how to get the clock on your page, click here, but if you wish to reflect on Stanley Kubrick’s career, as we raved about it when he died, you know what to do.

 

 

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