ROVIN’ AND RAVIN’ WITH MIKE

Copyright © 2000 by Michael Segers, All rights reserved  

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Black History Week

 

I never thought that I would learn some great lessons about American culture in the Metropolitan Museum of Art, that bastion of European culture on New York's Upper East Side. But, one pleasant Sunday afternoon, over twenty years ago, escorting two friends from Georgia, I had a very American experience at the Met that I'm still trying to understand. We ran into Owen Dodson, an elegant gentleman who lived in the same apartment building as a friend of mine and who was known for his elegant, gentle novels. I was delighted to see him--yes, you can run into people you know in New York's crowds--and I presented him to my friends as "an outstanding black writer."

To this day, I do not know why I said that. My friends were not blind. They could see Owen was black, just as they could see that he was in a wheel chair, but I did not refer to him as a "handicapped" writer. His books are outstanding, no matter what color their author or characters. I often thought about asking Owen how he felt about my introduction, but he died before I got the nerve to do so.

The lesson I learned, under the gaze of the lady in a favorite Vermeer painting, was that no matter what, even in terms of a person whom I liked and a writer whom I respected, there was something about his color that was very basic in my perception of him. Of course, there are people of all different colors who would say that that is a good thing, but I'm not so sure.

Anyway, I think we need Black History Month, if only to make me stew over my own problems with race. There is no Generic White Boys' Month, but there is no need for it. White and male are the defaults in our society. If you do not think it necessary to dedicate a month to black history, how about giving black history a try for just a week? I've snooped around on the Internet and come up with links to correspond to seven days of a scaled back commemoration of black history. Give it a try. You may learn something. I know that I have.

Oh, no, it's Monday, and that means we have to go to work. So, how better to begin Black History Week that with a look at one of the hardest working and most successful people in American history, Madam C. J. Walker, who was America's first woman of any color to make herself a millionaire. Learn more about this fascinating woman and her contributions:

http://view.womenswire.com/goodnews/people/d0128feature.html

The New York City neighborhood of Harlem was perhaps the first home of the black middle class. At "Home to Harlem," you can tour this fascinating neighborhood--unfortunately, without all the good smells that waft out of the restaurants there:

www.hometoharlem.com/Harlem/hthadmin.nsf/harlem/homepage

Let's get serious on Tuesday with a look at the contributions of some black writers whose works you may not be familiar with. One of the people in New York I most enjoyed being around--he was an active member of the literary organization for which I worked--was Albert Murray. Like my father, he has a background in the Air Force. He is a fellow southerner, a jazz historian, and a social commentator, regarded as a teacher and model for a generation of young black conservatives. But, unlike most conservatives, he can sustain a spirit of celebration and joy in his writing that makes me want to say, "Amen, Brother Murray," when I read his work. For a delightful interview with "the unsquarest person around," that anybody of any color can enjoy, look at:

www.salon.com/09/reviews/murray1.html

To balance a conservative male writer with a woman of a different political persuasion, consider the author Toni Cade Bamabara:

www.public.asu.edu/%7Emetro/aflit/bambara/index.html

For a great site dedicated to "Poets of the Harlem Renaissance and After," go to:

www.poets.org/lit/exh/ex006fst.htm

I was disappointed to find very little about Owen Dodson on the Internet, but here is a memoir of him by one of his students. Like Marguerite Young, he was a legendary teacher who gave so much of himself to his students that we probably have fewer books with his name on them than we should have:

http://gloria-brame.com/glory/glorbio1.htm#poets.htm

See, this can be fun, and if you need any more evidence, let's dedicate Wednesday to comic strips drawn by blacks, Curtis, Wee Pals, and my favorite, Jump Start, which always has some pertinent remarks about Black History Month:

www.kingfeatures.com/comics/curtis

www.unitedmedia.com/comics/weepals

www.unitedmedia.com/comics/jumpstart

As I've mentioned before, I take comic strips very seriously as indicators of what is going on in American culture. It seems to me that the comic pages are among the most segregated in the newspaper. It's not just in the art museum that we learn lessons about our society.

So, if this is Thursday, this must be Africa, and I found such a wealth of good African sites that I could have done a whole article. Let’s begin with the very thorough "Africa Online":

www.africaonline.com

Of course, to explore one of my interests, "The African Writer," explore:

www.africaonline.com/AfricaOnline/griotstalk/writers/series.html

For "The Internet Living Swahili Dictionary," just one of many languages spoken in Africa, refer to:

www.cis.yale.edu/swahili/swahilihome.htm

For African newspapers from A (Algeria) to Z (Zimbabwe), look at:

www.north-africa.com/

www.samara.co.zw/standard/index.cfm

So, Friday at last in our Black History Week, and you know what that means. Thank Goodness, It’s Friday, and let’s have some fun and games. Oh, yeah, we all know, black folks are good players. But, chess? Just ask Maurice Ashley, the first black Grand Master (won’t it be good when someday Mr. Ashley can be identified as Grand Master, not as the first black Grand Master?) and a bunch of talented kids in Harlem:

www.pathfinder.com/time/magazine/articles/0,3266,38421,00.html

www.ishipress.com/ashley.htm

How about another sport at which blacks excel?

www.wildcow.com/articles/pickett_tour/legacy/legacy.htm

Although you would never know it from the Professional Rodeo Cowboys Association, Fred Whitfield is, yep, the first black All Around Cowboy:

www.prorodeo.com/html/2.3.1.allaround.html

Although professional football is a sport more often associated with black players, it is a sad reality that there are not many black coaches. But, everybody of every color can be proud of a good, decent man like the head coach of the Tampa Bay Buccaneers, Tony Dunghy [as of the writing of this article], a pro football coach for people who have no use for pro football:

www.nfl.com/Buccaneers/news/coaching/index.html

Saturday night, and everything is all right! Let’s have some music. For some perhaps unexpected sounds of music by black performers, how about the great William Warfield, who not only was married for some years to the black soprano Leontyne Price but also performed some years ago in nearby Albany, Georgia:

www.riverwalk.org/profiles/warfield.htm

For another type of black music, let’s tune in Huddie Ledbetter, known as Leadbelly, not only a great composer but also a great conservator of all-American tunes:

http://cycad.com/cgi-bin/Leadbelly/index.html

And, don’t forget that the black experience is not confined just to Africa and the United States. Check out "Afro-Caribbean Music" at:

www.ina.fr/Music/index.en.html

It’s Sunday, and no matter what happened on Saturday night, it’s time to consider the impact of religion on the life of black Americans. We can start with "African-American Religion in the Nineteenth Century":

www.nhc.rtp.nc.us:8080/tserve/nineteen/nkeyinfo/nafrican.htm

Then, we can go on to "Santeria, A Practical Guide to Afro-Caribbean Magic," which you can explore at:

www.iac.net/~moonweb/Santeria/TOC.html

Finally, let’s remember Malcolm X, whose Autobiography is one of the most powerful stories of human growth and development, in matters spiritual (Islamic) and otherwise, that I know of. I rambled around the Internet, getting increasingly unhappy with what I found about this great black man who happened to be American, this great American who happened to be black. Then I found a website that could stand as a model for websites, a cyber-memorial appropriate for "Brother Malcolm," who came to understand before his death that he was a brother to us all:

http://brothermalcolm.net

I’ve said many times before that About.com is the place to go for all your Internet needs. I’m pleased to report that African American Culture Guide R. Jeneed Jones makes that statement true for those of us looking for information about African Americans along with our other Internet research.

http://afroamculture.about.com

I remember once watching with my father a report on the mysteries of "soul food," the hearty, resourceful cooking of black Southerners or Southern blacks. "Gee," my father said, unconsciously echoing the Moliére character who had been speaking prose all his life, "I’ve been eating soul food all my life… and I never knew it!" See what you’ve been missing or maybe lucky enough not to miss at:

www.chitterlings.com

This has been a particularly difficult rave, even worse than what followed my seeing The Beach last week. As I look back on the experience of writing this article, I find the most hope in my honest admission that I am not comfortable with my attitudes about race. I hope that with my dry feet, the inherent nobility of the thoughts with which I try to fill my heart, and the soulfulness of my southern soul (an attribute that I share with so many black people), I can muddle on through inflicting as little pain as possible. Perhaps I can do some growth, some good along the way.

I hope.

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