ROVIN' AND RAVIN' WITH MIKE
Copyright © 2000 by Michael Segers, All rights reserved
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When
Bad Films Happen to Good Witches
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The
summer of 1999 was brightened, perhaps darkened, by the release of three horror
movies within about three weeks: The
Haunting, The
Sixth Sense ,
and The
Blair Witch Project.
We
can look back on The Haunting, with its outrageous excesses, as an
example of how not to make a horror film, and The Sixth Sense was so
moving (thanks especially to the precocious Haley Joel Osment) that it was so
much more than "just" a horror movie. And then, there was The Project, with its eerie rumors
about actually being what it was presented as, a documentary about three young
film-makers lost when they encountered something out in the Maryland
woods.
The
truth is almost as amazing. A group
of film-school friends pooled their resources, mainly credit cards, and sent
three non-actors into the woods to improvise and film themselves playing
themselves, even using their own names. The
images recorded by the unsteady, handheld camera caused nausea for some people.
It created almost a trancelike state.
The film was a masterpiece of terror, of suggestion, with accretions of
dread and fear with nothing ever made definite.
The film was a landmark in the history of the low-budget independent film
in this country, and it was also a landmark in the use (almost exploitation) of
the Internet. By the time the Witch
landed at the suburban megaplexes around the country, she was almost as legendary
in fact as she was in the film.
I’ve
put it off as long as I can, and I must tell you now that there is a sequel
to The Project, and I don’t believe that anyone is going to be happy.
This is perhaps the first time we’ve had any sequel about people who saw
the original film, two of whom are writing a book about it.
So, having seen the film, they all head for the woods to see where it
took place… and, oh yes, in about all that is left of the original film, the
actors use their own names… real names and really loud music, too.
I'm
not spoiling anything (it would be hard to spoil this film) to
tell you that they all get out of the woods this time.
But Witchie hasn’t really let them get away and sets about working her
or his or its magic, which, I’m sure the studio interprets as making as much
money as the previous film did.
It’s
not going to turn out that way. Consider that
your trick this Hallowe'en. The
treat is a very different film, Remember
the Titans, which continues to
demonstrate that a family film can succeed at the box office.
Director Jerry Bruckheimer had three films released in about as many
months. The other two were Coyote
Ugly (set in a bar) and Gone in Sixty Seconds (about stealing cars),
and together they did not reach the audience that Titans has.
Conclusions, anyone? Limited to one
film to review a week, I passed up the opportunity to see and write about both
of them.
Sorry
I haven’t given you more to reflect upon, but for once, I’m going to blame
it on the writers and director of the film.
Blair Witch 2, certainly compared to its predecessor (or, perhaps,
just namesake) gave me the least of any film I’ve seen in a long time.
I'm not even going to give you a link to a critic offering a second
opinion. Frankly, most critics share my view, and for once, I'm going to
say that I want to protect you from any who don't. So, let me drop
into your bag links back to last year’s ravin’ about
"Tricks
and Treats on the Calendar", and, dare I say it, its
sequel?
Keep your feet dry and your heart full of noble thoughts, and when you go in the woods, your witch radar tuned up for whatever is really out there. It will take a much better film than this to tell us.